The focus on this years music education program are the support of 2 Cambodian soloists
Ikeda Bonsamnang – clarinet and Rong Sereyvann – piano
An approach to Mozarts Piano Concerto by Rong Serevann - an onging process !
Close attention is paid to reception matters, aside from all techincal effort. Such as analytical approaches, organology, and the role of autograph manuscripts, early editions and editors, and aspects of historical performance practice - all of which go beyond the texts in opening windows into Mozart's piano music.
Mozart's music stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole.
Wolfgang Amadeus Mozart wrote 27 concertos for piano and orchestra. These works, many of which Mozart composed for himself to play in the Vienna concert series held a special place for him; indeed, Mozart's father apparently interrupted him composing a "harpsichord concerto" at age 4. Perhaps the most controversial aspect of the concertos is the extent to which Mozart (or other contemporary performers) would have embellished the piano part as written in the score. Mozart's own ability to improvise was famous, and he often played from very sketchy piano parts.